In a picturesque neighborhood in Portland, Oregon, Harry Stevenson (Morgan Freeman), a wise, quietly grieving local philosophy professor on a leave of absence following the tragic death of his adult son, observes the romantic entanglements of the community surrounding him. At the center of his observations is Bradley Smith (Greg Kinnear), a pathologically kind, hopelessly romantic owner of a local coffee shop. Bradley's life fractures when his wife, Kathryn (Selma Blair), abruptly leaves him after falling in love with another woman at her recreational softball league.
Desperate for connection, Bradley quickly falls into a whirlwind rebound marriage with Diana (Radha Mitchell), a real estate agent who is simultaneously trapped in a toxic, deeply passionate ongoing affair with a married man, David (Billy Burke).
Meanwhile, at Bradley’s coffee shop, an intense, innocent romance blossoms between two young baristas: Chloe (Alexa Davalos), a bright, optimistic newcomer, and Oscar (Toby Hemingway), a sensitive young man struggling to escape the shadow of his abusive, alcoholic father. Harry and his wife, Esther (Jane Alexander), act as surrogate guardians to the young couple, watching them build a pure, beautiful bond. As these separate lives overlap and collide, the characters are forced to navigate the unpredictable, chaotic currents of infidelity, sudden loss, and emotional rebirth—proving that love is both a beautiful feast and a deeply dangerous gamble.
💡 Did You Know? 🧠
A Master Director's Return: The film was directed by legendary filmmaker Robert Benton, best known for writing and directing the historic, triple-Academy-Award-winning divorce drama Kramer vs. Kramer (1979).
The Portland Aesthetic: The film serves as a beautiful time capsule of mid-2000s Portland, Oregon. Director Benton intentionally utilized local landmarks, lush rainy backdrops, and independent coffee shop culture to ground the film's poetic, melancholic atmosphere.
Queer Nuance: The film features a notable subplot mapping Kathryn’s (Selma Blair) awakening and departure from her heteronormative marriage to pursue a stable, fulfilling same-sex relationship, treated by the narrative with complete normalcy and lack of sensationalism.
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