The story takes place in 1657 on an isolated, mud-soaked farm in Shropshire, England. Fanny Lye (Maxine Peake) lives a bleak, tightly controlled existence under the tyrannical rule of her older husband, John Lye (Charles Dance), a deeply religious, battle-hardened veteran of the Parliamentary army. Fanny quietly endures his emotional coldness and regular physical punishments, finding solace only in her young son.
Their rigid world is disrupted on a Sunday morning when they discover two young strangers, Thomas (Freddie Fox) and Rebecca (Tanya Reynolds), hiding naked in their barn. Claiming to have been ambushed by thieves, the young couple is reluctantly taken in by John. However, the truth is far more dangerous: Thomas and Rebecca are Ranters—members of a radical, antinomian religious sect who believe that because God is in everything, sin does not exist, embracing free love, nudity, and communal ecstasy as acts of devotion.
When a ruthless local High Sheriff arrives tracking the pair, the farm descends into a high-stakes psychological and physical hostage situation. As Thomas and Rebecca destabilize the household, they expose the hypocrisy of John's patriarchal authority. For Fanny, the chaotic encounter becomes an unexpected crucible. Exposed for the first time to revolutionary ideas of absolute personal freedom, she undergoes a profound awakening, ultimately taking up arms to deliver herself from her domestic and societal captivity.
💡 Did You Know? 🧠
Shot on 35mm Film: To achieve an authentic, tactile 1970s folk-horror aesthetic reminiscent of Witchfinder General (1968), director Thomas Clay insisted on shooting the entire movie on 35mm film using vintage anamorphic lenses, relying almost entirely on natural light and candlelight.
The Ranter Movement: The film provides a rare, historically accurate look at the Ranters, one of the many radical, free-thinking religious factions that temporarily flourished during the English Interregnum before being brutally suppressed by Oliver Cromwell's government.
A Multi-Talented Director: Thomas Clay did not just write and direct the film; he also spent months teaching himself acoustic composition to write the entire orchestral, period-accurate musical score himself.
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